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- Late Night FeelingsRonson, MarkVinylFREE Delivery on orders dispatched by Amazon over £20Get it as soon as Saturday, Nov 12Only 11 left in stock (more on the way).
Track Listings
1 | Stop Me If You Think You've Heard This One Before |
2 | You Keep Me Hangin' On |
3 | God Put A Smile On Your Face |
4 | Oh My God |
5 | Stop Me |
6 | Toxic |
7 | Valerie |
8 | Apply Some Pressure |
9 | Inversion |
10 | Pretty Green |
11 | Just |
12 | Amy |
13 | The Only One I Know |
14 | Diversion |
15 | L.S.F. |
16 | Outversion |
Product description
Product Description
2007 album from the hot DJ/producer, a culture-clashing album that finds 14 classic tracks turned on their head and recreated into visionary floor-fillers. Joined by the likes of Robbie Williams and Lily Allen, the eagerly awaited LP is a musical masterstroke and looks set to be the highlight of 2007. Featuring Dirt McGirt aka ODB spitting verse on Britney's 'Toxic' and Coldplay's 'God Put a Smile Upon Your Face' also getting the once over from Ronson, it's already on heavy rotation across the club circuit and marks the second coming of Britain's most successful ex-pat DJ/Producer. Another album highlight is the soulful, stellar Motown revival of the Smiths' classic 'Stop Me If You Think You've Heard This One Before' that merges into 'You Just Keep Me Hanging On' and features the vocals of Australian talent Daniel Merriweather. Columbia.
Amazon.co.uk
On Version, British-born, New York-bred DJ Mark Ronson cocks a sideways glance at some of the bigger UK chart hits of the last few years, plus a couple of old favourites. Formerly producer for an all-star cast that includes Lily Allen, Christina Aguilera, Robbie Williams, and Amy Winehouse, here Ronson has cajoled some of his famous mates into repaying the favour. The result? An album of A-list karaoke that at times, struggles to transcend its novelty, but nonetheless throws up some fun reversions. The uniting factor is Ronson's band - a live-sounding band augmented with trumpets, saxophones, piano and strings which, to its credit, puts enough of a stamp on the material that no single artist steals the show. And that's quite a feat, as there's some big names here. Lily Allen tackles the Kaiser Chiefs' "Oh My God" with her token gum-chewing insouciance. Amy Winehouse proves The Zutons' "Valerie" was always meant to be a strings-swept Motown stomp. And Tiggers and the late Ol' Dirty Bastard tackle Britney's "Toxic" (although few Wu-Tang fans will be surprised just how far ODB wanders off script). But the most significant misstep? Robbie's take on The Charlatans' "The Only One I Know", an unexpectedly drab remake that serves best to remind you how good the original is. --Louis Pattison
Review
OK, let's get the obvious stuff out of the way. Mark Ronson, for all his geezerish charm, is the child of a privileged background, this much we know. Let's start off by stating categorically that this should not in any way affect our opinion of him. He's a talented DJ. He knows how to produce. These are also facts and they are the pertinent ones when trying to get to grips with his latest offering. Unfortunately they're not quite enough to stop Version being a disappointment.
There's something faintly depressing about someone who has this much talent producing an album of cover versions. Such things always come with a degree of novelty that means that they don't wear well over time. After the initial thrill of hearing your favourite/least favourite song transformed from a chart-friendly sing-along to a brooding dancefloor killer, or an indie stomp made over as a disco romp where else can you go? With Morrissey's ''Stop Me'' already riding high in the charts it seems there is a market for this kind of thing. But then again maybe that's because the original song was a killer in the first place.
Ronson does do inventive stuff to these songs. Big bold brass stabs perk up songs like the Ol' Dirty Bastard-starring ''Toxic'' which turns Britney into a ska-ed up hip hop extravaganza, or Radiohead's ''Just'' into a sweaty, funky Maceo Parker-style workout. But for every hit there's a miss here. No amount of groovy names can turn coal into diamonds. And sometimes the originals were great not because of the songs themselves, but the performances. Not even Amy Winehouse can save the sacrilege of murdering the Zutons' ''Valerie'', and Paul Weller's ''Pretty Green'' was a stonker by the Jam because of its spitting sarcasm, not for its woefully dirge-like tune that gets horribly over-exposed in Santo Gold's attempt.
If anything this record strives too hard with its credentials. All the right names are in all the right places. But essentially, at the heart is another big beat superstar DJ, showing us he knows all the moves but forgetting to pack much originality. Having said that, it'll sound great blasting out of cars in the summer heat. However by autumn you'll have returned to the originals and be wondering what happened to Ronson's glittering career. Let's hope he doesn't give up, just give us something more substantial next time. --Jerome Blakeney
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Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 14.1 x 12.5 x 1.19 cm; 92.13 Grams
- Manufacturer : Columbia
- Manufacturer reference : 88697080032
- Original Release Date : 2007
- SPARS Code : DDD
- Label : Columbia
- ASIN : B000O77KSY
- Number of discs : 1
- Best Sellers Rank: 41,972 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- 2,561 in Dance & Electronic
- 3,370 in Pop Rock
- Customer reviews:
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But the producer & DJ to the stars (he played at Tom Cruise's wedding, apparently) makes darn good music, there's no running away from that. He was responsible for half of Amy Winehouse's "Back to Black", produced a track on Lily Allen's "Alright, Still" and a track on Adele's "19", which I'm really getting into at the moment.
On this album - a selection of cover versions - he displays an incredible talent for musical reinterpretation. I've been resisting this album ever since it came out but eventually caved in. I'm so glad I did. I feel like I already own it anyway, as I know all the singles he's released from it so far (from the radio) and really love the innovative and thought provoking videos he put out to promote them.
The man is certainly eclectic, going over tunes by the likes of The Zutons, Coldplay, Radiohead, The Jam, Britney Spears, Kaiser Chiefs and Kasabian, just to name a few, and reinterpreting their music in ways that I personally find very difficult to categorise. It's good stuff though; modern with a hint of retro with some banging beats. My favourites include "Stop Me" featuring Daniel Merriweather, "Valerie" featuring Amy Winehouse and "Oh My God" featuring Lily Allen. They all sound much better on my system at home than they did on the radio or on MTV Base. His version of Coldplay's "God Put A Smile On Your Face" featuring The Daptone Horns (Ronson definitely loves his horns) is also really cool and currently being used on practically every reality/factual TV programme here, or so it seems, and I also enjoy "Amy" featuring Kenna and "LSF" featuring Kasabian. I thought I'd like "The Only One I Know" featuring Robbie Williams (Ronson is reported to be working on Williams' forthcoming album) but I didn't, no matter how hard I tried to. His version of Britney Spears' "Toxic" featuring Tiggers (and O.D.B.) is certainly hysterical if nothing else and I'm just starting to like his new single "Just", the old Radiohead song, which on here, features Phantom Planet.
The man's done good and has had a very good run. "Stop Me" made it to #2 on the UK Top 40, he won a producer of the year 2008 Grammy the other day for producing his portion of "Back To Black" and won best male 2008 Brit Award - the first time the award has been given to someone who didn't actually sing on the winning album - and "Valerie", which also made it to #2, is currently the longest reigning single in the UK Top 40. It's been there for 32 weeks and currently stands at #13. I think we'll be seeing and hearing more of Ronson in the years to come. I'm sure he'll grow on me eventually ;)